
I don't get Pulp Fiction, it is very analysable. At times beautiful, picturesque, very Tarantino, very occasionally remarkable. It doesn't deserve the acclaim it's been given. Everything Tarantino puts his name on is an instant hit. A cult hit, perhaps, but a hit. I like Kill Bill, I fell asleep halfway through Reservoir Dogs and don't particularly like Pulp Fiction. Arty, independent European film, yes, not an American trying too hard. It's not bad, it's just not as fantastical as people make it out to be. There is no disgust, no horrification, there is nothing.
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"Comme lui je me consume." (As him(/like him), I consume(/devour) myself) French, obviously. And a delight. The last line in a poem, read on a girl's tattoed back. (Where have I heard the phrase "tattooed backs"? Dresden Dolls?) I only wish it was feminine passe compose, acquiring the ending ée: consumée. Why could I never appreciate French like this when I was learning it?
My collarbone obsession is back; there are so many beautiful people with gorgeous collarbones.
And I'm reading DeLillo's Falling Man, another 9/11 book. Very different from Safran Foer's take on it, not as heart-breaking, but not bad.
Oh, and I think I've found my dream flat. CK30, in Oslo, by Akerselven. The area isn't fantastic, but the flats are. Old industrial building, lofty ceilings, fantastic aesthetic. I want to live in an old factory. No country houses, but a factory-flat <3.